b'intention (which is how I define integrity) does not preclude the Raree Man fromWhy Imagination is a Vital Tool for the Actor, and Which adopting folly or bravado when commenting on a potentially serious subjectmatter. The audiences autonomous participation in peeping and employing theirPractitioner Should They Follow?imagination also contributes to the creation of any potentially immoralmeaning the Raree Man lays down. How the performer then addresses the Kitty Broadhurstaudiences complicity is their own moral responsibility. Through rejuvenating Peeps legacy of privacy by reflecting an example of immoral intrusion in todaysKitty Broadhurst explores a variety of practitioners and their differentclimate, we satiated Kershaws desire for the revitalisation of neglected popularimagination-based methods for creating effective, impactful, and realistic forms by manipulating their integral, universal aspects to suit our own moral acting, emphasising the importance of exploring a variety of practitioners and agenda. I took delight in behaving foolishly as a means of tackling a heavily tools to build your own unique and effective methodology.politicised subject, which is not my natural tendency as a theatremaker, and I will do so again.What drives you? My imagination has always been strong and a key driver in performance. My essay was inspired by a moment during rehearsal, where I asked afellow performer what room we were visualising when rehearsing our scene together. Their response to me was that it doesnt matter, and that they dont need to know that to run the scene. This made me realise that every actors approach is different and individual, and so I began to explore this concept in detail using the reading list the module provided. I would strongly advise any drama student taking this module(Interpretive Acting) to take advantage of and fully utilise its incredible reading list to explore and discover the techniques that work for them and add these findings to their own personal toolkit to carry into futureperformances. The examples contained in my essay are some of thetechniques that worked for me that I have added to my personal toolkit.Bevis, M. (2013) A Very Short Introduction to Comedy. Oxford: Oxford Image Work teacher David Zinder insists that it is possible to train the imagination University Press. (2002:166), and by doing so, gain awareness of the space and bring it to life. In week two, we did an exercise by teacher-director-playwright Stephen Wangh called BBC News (2024) [YouTube] Princess of Wales announces she is Image Walks (2000:92). Students walked about the space and reacted to eachundergoing cancer treatment | BBC News. (Available at: https://www.youtube. image that the tutor called out: the floor is covered in ping pong balls, the air is com/watch?v=vo99et8tYf8 (Accessed: 28/04/2024)). full of invisible kisses, there are nude bodies lying on the floor. We discovered Kershaw, B. (1999) The Radical in Performance: Between Brecht and this practice worked as a powerful tool for using the imagination to bring a space Baudrillard. London: Routledge. to life within a scene, by practicing the ability to picture objects and images in that space and reacting to them. Following the feedback from the monologue work in Lidington, T. (2017) In the Belly of the Beast: The Itinerant British Showmanweek twoto look and move around the room: what do you feel, and what do and the Definition of Seer Performance, Popular Entertainment Studies, Vol.you see? -in my own time, I worked on my monologue and used my imagination 8, Issue 1, Newcastle, Australia: The University of Newcastle, pp. 36-56. to place in the room furniture, the desk, and a second character sitting by the desk Rao, A. (2024) Skeptical Americas Katespiracies fixation goes beyond ain a wheelchair. During my performance to the class, I found myself squeezing reasonable doubt, The Guardian, 20/03/2024. (Available at: https://www.the- through a tight, imaginary space between the wheelchair and the desk. This small guardian.com/uk-news/2024/mar/20/us-kate-middleton-conspiracy-theoryyet significant impulse not only brought awareness of the space to me but did so (Accessed 28/04/24)). for the spectators as revealed during the feedback session. This practice50 51'