b'T3 Journal - Student Writing in Drama, University of Exeter 2020-21 Contents & Photo CreditsEditorial & Essay Dissertation Extracts Creative WritingContents3 Editorial 34 The actors body in British participatory64 The female body in theatre as a challenge to hegemonicconversation: how taboos, 4 Cover photo - Reflective Essay -constructions of the cultural identitiescommunity and comfort shape The female body in conversation:of women who are refugees and/orour understanding of the how taboos, community andseeking asylum. An analysis of twofemale body, sex and sexuality.comfort shape our understanding ofplays, Tanja and Queens of Syria.Pauline Ellerthe female body, sex and sexuality. Aoife Rush 65 Room to breathe in Pauline Eller 39 To what extent can African anda respiratory crisis Black British dialects on theFreddie Venturi6 Photo credits and contents London stage be used as sites of resistance and empowerment?66 When the curtain went upEssays An examination of Inua EllamsMo Johnson Barber Shop Chronicles. Helen Romeu Coombes 67 March 8th 2008 42 Enlivening the inanimate:Ethan McLucas10 An intersectional feminist analysis ofexploring the creation of audience69 FreeElla Hicksons Oil belief in twenty-first century WestLeah FrapeSophia Trewick End puppetry Matthew Lawrence14 An exploration of the representation of cultural identities through the actors46 Charlotte Josephines Bitch Boxer body in Small Island (2012): a reflection on the portrayal Aoife Rush and expectation of gender in womens boxing in regard to the 19 Climate research, science and2012 London Olympics. Photo Credits community: a discussion on ChantalSabrina CassBilodeaus SilaMaddie Holmes 48 How is feminist laughter operating within contemporary performance? Cover Photo: Pauline Eller (still from video21 The political significance of tuckerRebecca Taylorrecording of practical essay performancehere i am ) greens formal innovation in randomSally Johnson Reflective Essays23 Applying feminist and post-colonial Other photos were taken by: analysis to the 2014 Old Vic Production of The Crucible, focusing on the Mima Beauchamp (pp.8-9) characters of Abigail and Tituba 54 Reflection of Process and Zoe Man BreathPauline Eller ( p.31, pp.52-53)Susannah Bramwell27 Ways in which Anne Charlotte Leffler Susanna Bramwell (pp.32-33, pp.60-61, p.69)and Elizabeth Robins tell their own57 Hold on Tightly, Let go Lightly: story and the implications of the pen being in a womans hand A Maxim for CollaborationSusannah Bramwell Lucy Kean6 7'