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4	
Editorial Notes and Credits
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Contents
Anti-colonial perspectives, language and adaptation 
8 	
‘Gendered Violence and Female Agency in Indian Anti-Colonial Theatre’  
	
Sreenisha Kanchiraju
13	
‘Relocating Strindberg’s Miss Julie: Yaël Faber’s South African adaptation’ 
	
Xanthe Baylis
18 	
‘Federico García Lorca’s Blood Wedding (1933) in adaptation:  
	
Marina Carr’s Blood Wedding: After Federico García Lorca (2019)’  
	
Theo Saltissi
22 	
Festivals as tools of language revitalisation in the anti-colonial contexts of  
	
Wales and Aotearoa 
	
Cerys Gruneberg
27 	
Stanislavski in translation: character and rol’  
	
Colley Roberts
Intersectional identities
32 	
Charabanc Theatre  
	
Bel McFerran
36 	
The legacy of women and power in Shakespeare’s plays 
	
Ophelia Mills
39 	
Intersectionality in Caryl Churchill’s Top Girls: Class and Gender Identity
	
Flo Gunstone
43 	
British musicals as a reflection of developing political ideals: queer  
	
representation and racial diversity 
	
Rudi S Carson 
47 	
The Cost of Participation 
	
Ashley Khoo 

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